Showing posts with label Distant Voices Still Lives. Show all posts
Showing posts with label Distant Voices Still Lives. Show all posts

Friday, October 16, 2009

DISTANT VOICES, STILL LIVES

Written and directed by Terence Davies

Angela Walsh
Lorraine Ashbourne
Dean Williams
Freda Dowie
Pete Postlethwaite

Premiere date: September 11, 1988 (Toronto Film Festival)
PG-13

In 1940s England, a radically dysfunctional family must endure the casual and overt cruelties of the bull-necked father. The ongoing abuse takes its toll in the form of failed marriages and misguided attempts at seeking security outside the family unit. As was the case with his earlier short subject trilogy (The Children, Madonna and Child, Death and Transfiguration), director Terence Davies based much of the material on his own life, combining rheumy-eyed cynicism with soft-edged nostalgia.

Toronto International Film Festival
International Critics' Prize
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Cannes Film Festival
FIPRESCI Prize

Best British Films: 4. Distant Voices, Still Lives

Distant Voices, Still Lives is one film in two parts from Terence Davies. The first part is Distant Voices, in which three grown siblings and their mother mourn the loss of their father and husband, and remember him in varying lights in 1940s Liverpool. The second part is Still Lives, which takes place (and was filmed) two years later. The siblings are all settled, but not all of them are happy.

The film opens with "I Get the Blues When It Rains", the first of many songs used as insight into the characters' feelings. It's a rainy day and Eileen, Maisie, and Tony are attending their father's funeral with their mother. His picture hangs on the wall, smiling over them. But their memories of him are anything but pleasant. Most of their recollections show him to be a cruel and violent man.

Nevertheless, his death causes all of them pain, and recovering from his sudden absence proves just as difficult as recovering from his vicious presence.

Terence Davies subtly suggests the ways that family members prop each other up, cut each other down, and weather the storm of their upbringing, and in doing so, his film acquires a cumulative sense of hope and understanding. ***1/2/4